Architectural Photography vs. Real Estate Photography — is there a difference?
What is the difference between Real Estate photography and Architectural photography? How do I know what I need?
This article shall provide you with an idea where the differences are, where those fields can overlap, and what budget you should consider.
To make things confusing in the beginning … I’d like to say that you can budget your project –whether you are a Real Estate professional or an Architect– for $200-$400 and call your project either way: architectural photo shoot or Real Estate photo shoot.
You can also provide a $700 to $2000 budget and it still can be named either way. The outcome will be different as the article will explain, however, I wanted to make clear that a Real Estate agent who markets a luxury multi-million dollar property can very well see that their own marketing budget is quite big and they need to present such property in an appropriate way even if the property is sold in 1 day and the photos life-cycle might end.
Builders and architects on the other hand want to use photos for marketing or portfolios and therefore the images have a longer life; also the images might appear in magazines or are used for competitions and project bids.
I am applying the same diligence to all projects and the creation and composition of those images. So, you would ask why you should spent $1000 if you can get the same result for a $250 budget? You don’t get the same result — the difference starts with the time allocated for the photo shoot and for the $200-$400 which is a typical Real Estate photo shoot budget for a ‘normal’ property it is a 60-90 min time window to make things happen.
Some of the photos I am making during that assignment will be the same high-end shot you would get as part of your $1ooo-$2000 architectural photo shoot project, BUT an Architectural Photo Shoot (that starts with e.g. 2-3 hr or half-day shoot) will lead to more refined, high-end results because I have enough time to create results which I can’t achieve in a 60-90 min session. I might or not opt for tethered shoots to verify shots. I have time to evaluate and modify angles.
But time is relative as we know — it doesn’t have to be a half-day of shooting, may be you just have a micro project with only a few photos of 1-2 rooms or e.g. 1 exterior commercial façade and that might be feasible in 2 hours. You need to tell me exactly what your goal is and what you need.
It all comes down to the project size, specifics, and time and planning.
For an high-stake Architectural Photo Shoot the time-frame for small projects should be 2-4hrs (4hrs==half-day photo shoot) and for larger and more complex projects a day (8hrs==1 day shoot) or multiple days. That allows to accommodate different lighting, weather, seasonal situations and planned shots. In Architectural photo shoots you’ll find not only wide-angle overview images but also more narrow, specialized views. The way of composing an image is slightly different. Also, irrelevant scenes or portions of scenes are intentionally omitted. Ideally, Architectural shoots are carefully staged and add accessories, decorations, color spots, or go an alternative route by showing the place lived-in, or with people (often ghosts) and pets. For a perfect outcome the spaces should be in perfect condition, styled, and photographed at the right time.
A refined post-processing is applied to my Architectural projects, therefore it is necessary to tell me how you intend to use the images: online, print media type, etc.
All hourly rates include the time for the photo shoot and post-processing (level-1 == enhancing the appeal: brightness, color correction, perspective correction), delivery, commercial usage license.
Smaller Architectural Shoots might fit well into Real Estate Shoot format – in the end the client must decide how much time should be invested, which must-have shots and lighting conditions shall be part of the result, and what budget shall be allocated.
Real Estate ‘format’ is up to 90 min (depending on the size of property) and pricing is outlined in my Real Estate my package pricing.
High-stake Real Estate ‘format’ can basically be a synonym for Architectural Photo Shoot and starts at 2-4 hours and goes to full-day shoots. More complex multiple unit projects can span multiple days. I also do offer an upgraded Real Estate photography format that adds more time and angles to the photo shoot.
More time allows for example to visit a location multiple times in order to get all shots at the best time of the day with regard to natural light. That is valid for interior and exterior photos. All rooms have a ‘best time’ to be photographed and exteriors of course as well. We cannot direct the sun, so we have to wait and work-around that fact. After having said that you will recognize why I said that I can come up with some brilliant shots in a 90 min session but I cannot produce perfect photos for all exterior sides or rooms (lighting-wise) and when I have a narrow time window. So, light and weather are important factors and involve time.
Commercial buildings: the client knows best what time is involved to get from A to B in the building or facility and if there are restrictions et cetera. The number of shots, shot list, and the specifics determine how much time is needed. I need to trust your honest judgement, however, I can only do as much as time allows during a photo shoot time-slot and you can’t just estimate the allotted time window too low.
Businesses in general: all the projects are so much different that it comes down to an architectural shoot starting at with a minimum of 2 hours for small projects (like a few overview photos of the exterior and interior).
Multi-unit residential condos or apartments, builder’s model homes: if the scope of the project involves multiple units and most often extended exterior (club houses, community exterior, pool, fitness, et cetera) it is best to consider that as an architectural shoot with a half-day or more time available.
Exteriors: there’s a big weather- and time-of-day relevancy, however, I do offer re-scheduling to hit the right day or time. Please have in mind that aerials might require permits if e.g. more than private property is involved.
People: some architectural photo shoots might want people (e.g. volunteers or professional talents) to be in the photo — that adds quite a bit of time needed for the photo shoot. Talent hire is ideally performed by the client.
Aerials: in many cases aerial shots add nice perspectives to the project — aerial setup and taking the shots takes time as well. If permits are required it is best if the client takes care of that because it can be a lengthy, time-consuming process.
Video: if video becomes part of the project the required project time of course goes up quite a bit. Video Editing is a time-consuming process as well and if you have a storyboard in your mind, it is great to let me know, because that requires time in order to plan the shoot around it.
Architectural Photography Checklist
- a shot list is a great helper for client and photographer – it should include the must-have shots (interior, exterior, detail shots) and the nice-to-have shots. Especially when client’s marketing / sales department or a designer are involved in the subsequent process of using the images it can help not to forget shots that those guys later will need.
If desired I can also participate in a meeting to discuss details with the stakeholders and project members.
Shot lists can range from super simple (“kitchen”, “Hallway and Staircase”, “Masterbed”…) to detailed like “Masterbed including details of alarm system, fans, floor”, “Kitchen multiple angles”, “Kitchen Undercounter Vac”, … — you’ll get the point! Many of those items are the shots I would take anyway, but some things I might not be aware of, so tell me what comes to your mind. A shot list also avoids that I spend time on areas you are not interested in.
- Hand-in-hand with the shot list items goes the detail information / insider information about the project: number of locations, location address(es), orientation of the exterior sides, “best-light” guess for interior rooms if relevant for shoot, “best-time” for rooms/locations with a view.
Ideal is if you have these information — if not, I am available to do a scouting trip to the locations, but you need to mention that in order for me to prepare a proposal. You can also state that I should just do whatever I can during the allocated time-frame because you have only a limited budget which doesn’t allow to take care of everything. Or you have limited access to the location. That is totally fine.
- Timelines / Deadlines / Schedules: please outline your idea of the delivery details with regard to the project’s timeline and possible deadlines. That allows me to see how that goes along with my schedule.
- What will you use the photos for? Optional information — I am not asking that because of the usage rights (I assign full usage rights anyway), but I’d like to know if you plan on using them for print or online. If printing is involved, it is nice to know if you plan on billboards, high-glossy brochures, magazines, or whatever. I provide my deliverables normally as 2 sets of photos: hi-res (suitable for print) and medium-size (optimized for web use). We can further discuss specifics for the print media.
- Budget: assuming you have a pre-determined budget… it is good letting me know because my proposal can focus on what I can do for you within that budget and give you an idea about what the options outside the budget would cost. If you do not provide a budget I will base my estimate on your shot list and time needed — we can go from there to upgrade or down-grade.
- If you require an NDA (non-disclosure-agreement) please let me know upfront — there’s a surcharge for that type of project because I cannot use those projects as references. Don’t confuse NDA requirements with common-sense confidentiality like: I don’t reveal property addresses or certain information… you don’t need an NDA for that.
- Residential properties: can you have the place professionally staged? Or can you do it yourself?
- For commercial facilities: with people or without? Production processes? How would you describe the lighting conditions?